Star

Minster on Sea, England. 2022

Taken on my Leica M-P (Typ240) with the Summicron-M 35mm f/2 ASPH lens.

Spheres

Margate, England. 2022

Slightly tongue in cheek street image with the the drain cover, the light globe and the man’s head.

Leica M-P (Typ240) and the Voigtländer Nokton Classic 35mm f/1.4 II VM lens.

Washing the rain

Queenborough, England. 2022

I took my car along to a local hand car wash and the heavens opened.

To my left of this shot was another car being vacuumed under the canopy but these guys carried on out in the open. As fast as they applied the soap, it was being washed off by the rain. As they got wetter and wetter I started taking shots, even when the rain got harder they carried on with their jet washes. Amazingly, once under the canopy to be vacuumed these boys still used chamois leathers to dry the body work despite the heavy rain, bit pointless really, the car soon got as wet when it was being washed as we departed for home.

A job well done by them and I gave them both a good tip for their efforts. Just goes to show there’s always a chance of a good picture to be had even while getting mundane tasks done.

Leica M-P (Typ240) and the Voigtländer Nokton Classic 35mm f/1.4 II VM lens.

Rays of the Sun

Isle of Sheppey, England. 2022

Leica M-P (Typ240) and the Voigtländer Nokton Classic 35mm f/1.4 II VM lens.

Swirling Pathway

Minster on Sea, England. 2022

The sunlight periodically appearing through the clouds catching the grasses and I think I managed to capture the scene, although metering wasn’t that easy. Image was taken at f/2.8 at ISO 100 with the built in red filter setting. It was one of those occasions I wished I’d had a neutral density filter with me.

Leica M-P (Typ240) and the Voigtländer Nokton Classic 35mm f/1.4 II VM lens.

Seaside paradise

Margate, England. 2022

Taken with my Leica M-P (Typ240) and the Voigtländer Nokton Classic 35mm f/1.4 II VM lens.

Scouting for girls

Margate, England. 2022

Taken with my Leica M-P (Typ240) and the Voigtländer Nokton Classic 35mm f/1.4 II VM lens.

Morris

Margate, England. 2022

This is Maurice Morris, 88, he’s a local legend around Margate, England. Morris has lived his entire life in the town and is a familiar figure to many. From the 1950s to 1990s Maurice worked in various roles at Dreamland theme park, including as an usher at the local cinema. I didn’t know any of this before I took his portrait sitting enjoying the day at a sea front cafe.

Please do click to enlarge the image, it was taken with a Voigtländer lens.

Voigtländer

Last year a friend of mine tried his hand at some street photography and he purchased a Leica M9 and a Voigtländer Nokton Classic 35mm f/1.4 II VM. Now he’s decided to buy a used Summilux-M 35mm ASPH and is selling his Nokton 35mm f/1.4 for £400. More and more I’m finding myself using a 35mm focal length, so with this in mind I thought I’d give this lens a try. I see no end of people using this lens, raving reviews about it’s performance and at a £600 compared new purchase price to a new Summilux-M 35mm £4400 it’s not surprising to me that photographers are using them.

I’m quite impressed with this little lens from Cosina. Well made, sharp mostly across the board although I will say the focusing is a tad stiff compared to my Leica lenses. It has a softer look to me and with digital I don’t think that’s a bad thing. With my Summicron-M 35mm and Summilux-M 50mm I think some of my pictures looked to sharp, clinical even, there’s just no life to them.

With the Voigtländer Nokton 35mm I kept an open mind and to be honest wasn’t expecting such good results. Does question why pay for Leica glass! This image above was straight out of camera, only little cropping and straighten was done here in Gimp 2.10

Even wide open at f/1.4 I’m pretty impressed with this lens performance and yes there is a bit of vignetting at f/1.4 but I don’t mind that in my images.

Think this Voigtländer Nokton is a keeper and I’ll use the Leica glass for film.

All images taken with Leica M-P (Typ240) and the Voigtländer Nokton Classic 35mm f/1.4 II VM lens.


Edit. Side note, Leica 6 bit coding test.

Nikkormat

Sometime back I picked up a very cheap Nikkormat FT2 of eBay. In excellent working condition, all that was needed was a CLA service from Newton Ellis & Co. of Liverpool, England.

Nikkormat FT2

For me this was my first ‘proper’ single lens reflex camera I used in the late 1980’s at college. Up till then I had never had chance to use a Nikon nor any other Japanese made camera. Back then, this snotty nose kid had little or no interest in girls, but liked photography, had an unhealthy liking for cameras particularly Nikon, Canon FD and Leica R SLR’s, although I didn’t know it at the time, was suffering from G.A.S. I loved the FT2 rugged build qualities, light meter top plate display, mirror lock and it’s manual simplicity. Everyone else at college would choose to use a Nikon FE, FM or F2 we had use of, I’d pick up a Nikkormat, yet unfortunately I was unable afford one at the time. From then on I always wanted a Nikon F film outfit with all the prime lenses you could ever need. Years went by, I never did get the Nikkormat due to lack of spare funds but 2013 older, wiser and with spare cash in his pocket I start buying in items online.

Unusually for Nikon, as many of you know most Nikkormats have the shutter speeds are around the lens collar. I’d forgotten about this when I first used the camera back at college. For Olympus OM owners the shutter speed collar around the lens mount is nothing new and found once I got use to using the tab on the opposite side, it’s easy enough and soon remembered to watch the display in the viewfinder rather than tipping the camera over to the set speed. I have also admit the meter coupling on Nikkormat’s with the ‘Rabbit Ears‘ has always fascinated me and at one point did think of purchasing a very expensive Nikomat FT body in mint condition from Japan which was the first model to be produced back 1965.

Even without a service or new seals this camera was still perfectly operational even after 45 years since being manufactured. First roll of Fomapan 100 came through with very small amount of fogging along the edges of the film, this despite the seals in the body being near non existent and the foam on the back door long since crumbled away. Every one of the exposures I shot where spot on and matched my Weston Euro Master light meter, I was very impressed, it’s a joy to use. My only wish is that Nikon kept the back release latch design the same as the FT2 and it’s siblings, I find the Nikon FE door release with little lever around the rewind crank a bit fiddly sometimes to use.

Nikkor lenses.

Most of my Nikkor Ai lenses I purchased relatively cheap, with the most expensive lens being the 28mm f/2.8 Ai at £170 with metal hood and came with original Nikon box plus polystyrene packaging. My Nikkor 200mm f/4 looks like it’s never been used and the 135mm f/3.5 is mint and only cost £69 plus P&P. Ever since Digital came onto the scene, I noticed the Ai series lenses I wanted originally dropped in price, partly because of their age not being the AiS version but in the early days of Nikon digital would only work in full manual and non Ai lenses stop down metering.

Time passing, many of the Ai lenses seem to have been now snapped up. Slowly over the last few years I’ve manage collect all the Nikkor lenses I wanted and all have one thing in common, they all use 52mm filter size making for a compact but extensive kit. Last month I finally completed my 1980’s Nikon line up with the last acquisition of a Nikkor 85mm f/2 Ai lens with Nikon HS-8 metal hood. This was the last lens I wanted and it took me a while to find one at a reasonable price, most where either in very sorry state or mint condition with a high price tag.

In the above picture, the Ai lenses as follows, Nikkor 20mm f/4, Nikkor 28mm f/2.8, Nikkor 35mm f/2.8, Nikkor 50mm f/1.8, Nikkor 85mm f/2, Nikkor 135mm f/3.5 and finally the Nikkor 200mm f/4.

I picked up the Nikon DR-3 right angle finder for £28 of eBay, boxed and unused.

Incidently, the Nikkor 35mm F/2.8 Ai I picked up for £50 bought as seen. A ‘user’ lens, it came with no warranty, scratched, few nicks, no paint left around the filter ring, missing it’s rubber focusing grip, some dust within the optics yet had a very smooth focus and with snappy oil free aperture blades, it worked perfectly. It’s since had a CLA and this lens looks a lot better condition than when first purchased the it.

Since 2013 I probably spent around £950 which I think was around what this equipment cost in 1980’s and is around £2700 in today’s money. Dread to think what the equivalent Nikon digital kit would cost these days!


All film images taken with Nikkormat FT2 and equipment pictures taken with the Leica (Typ 240) M-P with the Summilux 50mm f/1.4 ASPH.