Idle Hour

Minster on Sea, England. 2022

This tender has come in with the morning tide, unloved and unwanted anymore.

Leica MP, Summicron 35mm ASPH, B&W yellow filter on Kodak Tri-X pulled to ISO 100.

Headland Storm

Minster on Sea, England. 2022

Leica MP, Summicron 35mm ASPH, B&W yellow filter on Kodak Tri-X pulled to ISO 100.

Wait for it!

Sheerness, England. 2022

Click to enlarge image.

Leica M6, Summicron 35mm f/2 ASPH on Kodak Pro Image 100 film.

I love the look on these Spaniels faces.


So my Leica M6 is no more.

I took the above picture last month on the M6. This was one of a few films that were not fogged, indeed Weekend Races image was from the same roll of ProImage. Despite being returned a couple of times for repair the fault kept arising as you can see below. As you can see the problem was still there and was getting worse with each new roll exposed.

Click to enlarge images.

On side note, I noticed I’ve been having issues with white spots on my negatives. This turned out to be my fixer, which I hadn’t noticed was dated 03/2020 …oops! Then I found in my photo cupboard another black concertina bottle from my late father, marked ‘fix’ and dated 2007. This is what came out of the old bottle below, glad I didn’t use it. The black fragments in the sink make me think the inside of the bottle had been slowly deteriorating.

Anyway, back to the M6 issue. It went back to the dealer again and this time I was offered a full refund. But then thinking about it, was only another £1600 ($2,100) for a new ‘M’ body. So I am now the very proud owner of a shiny new chrome MP. Wish I’d done this in the first place but I was stupidly thinking it cannot happen to me again and the first few rolls seemed alright with the M6. I did ask what they where going to do with my faulty M6 and was told it would be sent back to Wetzlar, Germany for an complete overhaul.

Expensive I know at £4100.00 ($5395.00) but it’s not second hand, comes with a year warranty plus an extra year if you register the camera with Leica AG and top and base plate are made of brass not zinc.


Black and white images, Leica M6, Summicron 35mm f/2 ASPH on Fomapan 400 film rated at an ISO of 200.

Glow

Minster on Sea, England. 2021

I took this last year on a very early morning walk with my dog. The curve of the shoreline looks so surreal but I can assure you this how it looked on this sunrise.

Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens.

Folkestone

I had not been to Folkestone, England in some twenty five years and it has somewhat changed. Last time I been there it was a very run down seaside town, with little or no investment or jobs after the demise of the ferry service to France was closed down in 2000 and the Channel tunnel which had opened six years before. Today it’s a very different place to town I knew.

Although very harsh light all day, I made this work in my favour and managed to get some great street shots and this was after I’d realised I had left my Weston lightmeter at home, so leaving me with no choice but to use the Leica’s own built in meter. Think I’m starting to get the hang of the of the M-P now.

I even got some abuse from a young woman who told me I was breaking the law taking pictures of people in the street. I do love these individuals who like quoting laws that don’t exist in the UK!

Walking along this shore path made out of old railway sleepers located on Folkestone seafront I was looking at the light was shining off them. Just waiting for the right moment, this girl walked pasted me and managed to catch her in the 1.4 depth of field.

Coffee Folkes

Along the old harbour railway station this coffee vendor was parked between a gap under the old railway station canopy with sun lighting up his auto rickshaw. Little tricky getting the metering right but I got there in the end.

Art

Out of tune

Since last being in Folkestone, there’s a lot of art work around the town now. This one is by Norwegian artist A K Dolven called ‘Out of tune’

Quote from the Creative Folkestone website

“It features a 16th-century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart”

…must make a terrible noise on a stormy night!

Reading the news

There was two men on this bench but this larger gentleman appeared in the frame, sat down virtually pushing the other guy off the seat. Then started reading the other man’s newspaper.

Dots & spots

The above image is a crop from a landscape picture, annoyingly other people kept walking into the frame …hard life being a street photographer! This been a film negative I don’t think I would have got away with such a crop without losing detail.

The 50mm Summilux and digital imaging shines through again. If you can get your hands on an example if only for a day, I highly recommend you give it a try. It’s sharpness even wide open is unbelievable. The harbour shot below was taken wide open as was the other images in this post.

House boat

Folkestone harbour …don’t ask!


If your ever visiting the seaside town of Folkestone, I can highly recommend ‘Marleys’ café for a great cuppa at only £2.00!

Marleys

Also back down the same street there’s Nik & Trick Photo Services store. Well worth a visit, cameras, film and darkroom supplies. Link below.


All images taken with my Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens, using a B+W Neutral Density 2 Stop filter.

Final image at ‘Marleys’ taken with my Samsung A12 phone.

Nik & Trick Services Photographiques

The revealing tide

I took this picture of a father and sons collecting their crab pots from the receding tide. This was two days ago on a cloudy, very dull looking the morning giving a almost winter feel to this image but later on Sundays weather would turn out fine and bright day. Shot wide open at f/1.4 with the Summilux 50mm lens once the picture is enlarged, the detail in the middle of this image I’m really impressed with.

Click to enlarge picture

Cropped top and bottom, it almost to me gives the image a look of being taken with a wide angle lens but without the distortion. Here’s the original image below before post processing.

Minster on Sea, England. September 2021

Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens, using a B+W Neutral Density 2 Stop filter and digital yellow filter.

Legs

I came across this Peugeot J7 van converted into a camper among the many that are parked up at the seafront, Minster, England. Apart from the vehicles aged look, I liked the hanging lantern lights and stencilled monkey advertising on the side panel. Lady inside didn’t want her picture taken but did not seem to mind or notice her legs being on show which added to the picture.

Taken with my Leica M-P (Typ-240) Summicron 50mm f/2

Outgoing waters

Isle of Sheppey, England. August 2021

I couldn’t resist taking this shot, the light this particular morning was beautiful.

Outgoing Waters

I’m finding using the M-P built in meter a bit troublesome to use and I’m finding I am going back to using my handheld Weston Euromaster V light meter. Problem is having shot so long without a integral meter, I’m shooting without it and when I do disagreeing with it’s readings. The picture above I ended up taking by guessing the exposure as with the camera’s meter I could not get it right.

I do wonder how many others find the same issue and resort back to using an external lightmeter?

 Leica M-P (Typ-240) Summicron 50mm f/2 plus digital yellow filter.

Retirement

Taken on another very warm day in Arromanches-les-Bains, France, 2020

Moments after I took the shot our dog Charlie barge in to make a fuss and luckily for me they where very accommodating to him but didn’t notice me taking pictures.

Leica M4-2, Summicron 35mm f/2 ASPH and taken on Kodak Tri-X, rated at 800