I'm Martin, a amateur photographer from England that likes to shoot street photography, landscapes, seascapes and odd image of dogs on digital as well as film. I use a Leica M-P (Typ-240) as well as my late fathers 1959 Leica M3.
Came across this little scene of the grandchild in the push chair outside the grandparents caravan in Barton’s Point Coastal Park.
My wife was with me at the time and answered little one with a hello, without thinking I took this image. I didn’t compose the picture or really take in the scene properly. A few days later review my images I noticed the dog in the background. I don’t ever remember seeing a dog there at the time. Without the dog to the left of this picture looking over as well I don’t think the image would have worked somehow.
Taken with the cameras digital yellow filter and a B&W 2 X Neutral density filter does give the image a vignette look which I quite like. Only post processing has been a bit of dodge and burn on the grandfather in the doorway.
Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens, at Isle of Sheppey, England. September 2021
I took this picture of a father and sons collecting their crab pots from the receding tide. This was two days ago on a cloudy, very dull looking the morning giving a almost winter feel to this image but later on Sundays weather would turn out fine and bright day. Shot wide open at f/1.4 with the Summilux 50mm lens once the picture is enlarged, the detail in the middle of this image I’m really impressed with.
Click to enlarge picture
Cropped top and bottom, it almost to me gives the image a look of being taken with a wide angle lens but without the distortion. Here’s the original image below before post processing.
Minster on Sea, England. September 2021
Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens, using a B+W Neutral Density 2 Stop filter and digital yellow filter.
I couldn’t resist taking this shot, the light this particular morning was beautiful.
I’m finding using the M-P built in meter a bit troublesome to use and I’m finding I am going back to using my handheld Weston Euromaster V light meter. Problem is having shot so long without a integral meter, I’m shooting without it and when I do disagreeing with it’s readings. The picture above I ended up taking by guessing the exposure as with the camera’s meter I could not get it right.
I do wonder how many others find the same issue and resort back to using an external lightmeter?
Leica M-P (Typ-240) Summicron 50mm f/2 plus digital yellow filter.
I’ve shot this sort of image before but this time the clouds where just right covering the whole of the sky giving very soft low light when sunlight wasn’t breaking through the cloud bank.
Picture was taken the following morning after Storm ‘Evert’
I just love the way our Met Office has for the past couple of years have to name these weather fronts we have from time to time here in the UK. Think they’ve got jealous of the United States and other parts of the world with the cyclone, hurricane and typhoon names.
Taken with my Summicron-M 50mm f/2, digital yellow filter preset and shot in Minster on Sea, England.
Colour saturation worries.
Finding my feet with my new Leica M-P, I have been a little concerned about colour images being too rich. I discover there two colour film presets built in to the camera. Not wanting to get too deep into digital manipulation of any kind the original JPG image below was taken without ‘smooth’ film setting. This might look ok to some but me looks wrong, missing detail and doesn’t represent what observed this morning when I shot this image.
On the one hand I wonder if this is cheating but on the other realise it a get way of toning down the colours which would be in my eyes over saturated. Shot with the film Smooth setting, I still had to bring down the levels within Gimp to get the picture below just right though.
Taken with the Summicron-M 35mm f/2 ASPH at Bartons Point Coastal Park.
Reading the Leica M-P operating manual while walking around and using this camera I feel like the German officer played by Gert Frobe in 1956 film ‘Those Magnificent Men in their Flying Machines‘
In the film having never flown a flying machine, he said “there is nothing a German officer cannot do” …later you see him reading the aircraft flying instructions while flying the aeroplane!
Great day for light yesterday. Very stormy with broken sunshine here in the UK, some places like London had localised flooding but for us not much rain to speak of. Walking around Mote Park, Maidstone I found unfortunately there was very few people visiting and so I had to find different subjects to shoot with my new Leica M-P. Walking up from the boathouse in the background of the picture above I spotted the Canada Geese were standing in a row along the lake edge. Walking slowly around so not to disturb them I want to capture image with the storm clouds in the background but as I approached the birds to get closer with the Summicron 35mm many birds jumped in the water and paddled away leaving only half the amount of birds. In my mind I did wanted to get down to their level but with a lot of hissing I thought better of the idea …must carry my other lenses with me!
All went well with this shot even managing to use the built digital yellow filter. I’m half and half on using the built in digital filters, while the jury is still out on this idea seems to work well though. I would be interested to here other peoples thoughts and ideas on using this type of built in filter, maybe any pros or cons there are on using digital built in camera filters.
After a great morning shooting when I finally got home I noticed I’d still had forgotten to manually add the 35mm Summicron which is not a coded lens. May have to consider having my Leica lenses 6 bit coded. Final image is crop from the original as to the right of the picture was half a bird leaving the frame. Post processing was kept to a minimum as usual. Picture was shot in JPG, with a little dodge and burn mainly on the birds, plus the added frame by using Gimp 2.8.
Image taken on my Leica M-P (Typ-240) Summicron 35mm f/2 ASPH