I'm Martin, a amateur photographer from England that likes to shoot street photography, landscapes, seascapes and odd image of dogs on digital as well as film. I use a Leica M-P (Typ-240) with a Summilux 50mm f/1.4 ASPH lens and a 1959 Leica M3 single stoke with Summicron 50mm duel range lens. My blog was formerly known as 'The 35mm Shootist'
It’s been a few days and I am struggling a little to get the settings right with my new Leica M-P. Keep forgetting to press ‘set’ on the back of the camera and finding the images are not black and white, forgetting I can change the ISO mid shoot or I’ve not used the manual setting for my Summicron 35mm or my 90mm f/2.8 Tele-Elmarit lenses nether of which is a non 6 bit coded lenses.
Early days I suppose, other than my user errors I cannot fault the camera.
This one of the first pictures I shot Dahlia in our new garden. Taken using the Tele-Elmarit 90mm f/2.8 hand held, with Weston Euromaster lightmeter. I then find out having read in the instruction manual that this camera actually has a spot meter. Think I’ll still carry my Weston lightmeter regardless. You know how it is, your dying to use your new camera when really you should sit down and read the camera instruction manual first. Still all was not lost, my wife likes the image enough it’s now used as a wallpaper on our desktop PC.
When I can get the hang of this thing, it is really something! Think it’s going to make street photography easier, both to shot and post process. Above taken at Minster Leas, England using the Summicron-M 35mm f/2 ASPH.
One decision I have made is to solely shoot JPG files. As I’ve said before, I don’t alter images very much nor use digital manipulation so I cannot see any reason to use RAW files. Most of my work is going to be black and white anyway and reading reviews it’s suggested that JPG files a better for monochrome pictures particularly for street images.
Image taken at Minster Leas, England. July 2021 with the Summicron-M 35mm f/2 ASPH
Just after we moved into our new house my wife was given some flowers, pink and white lily’s to be exact. Having a moment to spare I used the M3 plus the Summicron duel range 50mm and this was the result of my efforts. Not bad considering the Fuji Color 200 was from my late father’s refrigerated film stock and was dated 03/2002.
Natural light and exposure taken with my Weston Euromaster lightmeter. Film development was done byAG Photographic lab.
I suppose I’d better think about changing my blogs name now seeing as I’m using digital as well as film.
Morning after Storm Darcy, aka ‘The Beast from East 2’ a cold front eastern Europe and Russia. I’m going start a new club called the ‘Frozen Leica Society’ because oh boy was I so cold my hands started to hurt in the -7°c wind chill …We English are not use to this sort of thing you know!
Anyway I shot this picture purely because of the pattern of the snow fall along the seawall. Later on, further along the front in the distance you can see the waters edge looks very white and as it turned out the sea was starting to freeze.
Leica M4-2, Summicron 35mm f/2 ASPH and taken on Fomapan 100 Classic film at an ISO of 800
No seriously, ‘unshipping’ means to load, unload a ship or the sailors progressed rapidly with the task of unshipping the packages and caged animals. “Unshipping the wheels” meanings Larboard battery, unship your rear wheels from the cannons to raise the angle of fire.
Think in this case it’s not to get an angle of attack, more like to prevent theft of boat and trailer from the sailing club yard.
Taken last March, on my Leica M4-2, Summicron 35mm f/2 ASPH and taken on Ilford HP5 plus film.
This little fella is a rescue dog from eastern Europe and his previous life was to be tied up outside all day. Now living in the UK, with long walks everyday, everything is curious, fascinating or puzzling for this little dog. He stood staring at us for a good couple of minutes while we chatted to his new owner.
Leica M3, Summicron 50mm f/2 using my Weston Euro Master V meter and taken on Fujifilm C200 film.
As many of you know I don’t often shot colour C41 or even E6 films, which for the life of me I don’t honestly remember when I last shot slide film. Having taken some colour images in Honfleur, France and watching Youtube videos, like by the German photographer Robin Schimko who sometimes uses colour film for street photography, I’m coming around to the idea of shooting a little more colour in my photographic life.
Kodak Pro Image 100 film
So I thought next year on our next trip to Normandy I try and use only colour film, just carrying my Leica M3 and Summicron 50mm. There is a possibility I might have a Leica Elmarit 90mm f2.8 lens as well in my camera bag if I can find a good example. I have both the Summicron 35mm lens plus two 50mm Summicron’s and for a long time now have been thinking about getting a Leica 90mm lens. Don’t not think I’ll be buying a Summicron 90mm non APO or APO versions as although it’s extremely good lens, it is enormous! The Elmarit 90mm f2.8 is far smaller with a E39 filter thread as my other Leica lenses and having seen the specifications on the Summicron 90mm lens I think will be like shooting a rangefinder with a house brick attached to the front of the camera. This lens weights in at 17.1 oz or 484 grams compared to the Tele-Elmarit of 7.957 oz./225.6g
Onto the results of using Kodak Pro Image film, in a funny way to me this film look reminds me of the old Kodachrome in these pictures below. All pictures have been shot with no filters, shot with different light conditions and where exposed by using +1 stop with my Weston Euro Master lightmeter.
Click to enlarge images.
I used various C41 films over the years, I think mostly either AGFA Vista 200, Fujifilm Superia 200 or Kodak Color Plus 200 but like many I miss the good old days being able to purchase reasonably priced 100 ASA colour print films. There are of course a few options on the market, Kodak Professional Ektar 100 is a great film but the colours look a little rich for my taste, Kodak Portra 160 Film for a pack of five is twice the price of the Pro Image film pack. Another option would be to use a slide film like Kodak Professional Ektachrome E100 but the price at £15 or $19 a roll with the processing cost on top seems somewhat high and to me looks as it would be better used for high end portraits or landscape images as would any of the dwindling offerings from Fuji’s Fujichrome stable.
Recently I purchase a five pack of Kodak’s Pro Image 100 film and am pretty pleased with the results of this first test roll. I don’t do reviews but this film I found to give a very good render of all the colours I observed when shooting this film. The only issue I found was during scanning with my Nikon Coolscan V scanner was I did find the images appear with a blue cast and never noticed this with either Agfa Vista or Kodak’s Color Plus films. This was corrected easily with Gimp 2.8 and the only other step I had to undertake was a little straightening on some of the pictures.
All images taken on my Leica M3 with the Summicron 50mm f/2 on Kodak Pro Image 100 film in October of this year.
Taken back in April during the lockdown I walk past this small parking restriction sign most days walking my dog. I wanted to catch the light just right so it would highlight the pot marks which look like the sign has been peppered with buck shot.
Leica M4-2, Summicron 35mm f/2 ASPH and taken on Fomapan 100 Classic film at an ISO of 800
I haven’t done much work of late, what with dealing with my late fathers estate, that and the restrictions of the Covid 19 outbreak, I have found very difficult to find the time or inspiration. Rest assured images will be coming soon as the wife and I will staying in Normandie, France very soon.
Sheerness, England, parking around what use to known as Marine Town is hard to find many spare spaces during lock down. This only means one thing, no one is at work and it’s like a Sunday but everyday.
During lockdown I notice there seems to be an awful lot of discarded belongs around where I live. Most of what I see being left out are children’s toys and part of this I think is due to the shutdown the recycling, refuse sites and charity shops are all closed at the moment, yet from what we have seen don’t look like they are going to open anytime soon. Just walking a mile or so from home with the dog brings some surprising finds nearly every morning.
Unsightly to some, great street photography for me. I find it amazing sometimes what some residents will discard onto the street and this not a big city but a sleepy seaside town.
Looks like war zone but this is just one back alley in the town, many alleyways are now like this or even worse still.
Walking back along the seawall brings another discarded find, a child’s scooter. If I post every picture of all the finds I make this blog would go on for ever and a day.
Further along the wall yet more cars parked everywhere, still on the brightside does keep some people employed I suppose and photographers something to shoot during the lockdown period.
Leica M4-2, Summicron 35mm f/2 ASPH and Leica M3, Summicron 50mm f/2 all images taken on Fomapan 100 Classic film at an ISO of 800
We came across this young woman carrying a eight week old puppy by the Place Claude Lelouch in Deauville, France. The pup was very young and it was somewhat nervous about his surroundings. Personally, both my wife and I felt the dog was far too young to be out and about especially as the weather was forecasted to be very warm later that day.
Leica M4-2, Summicron 50mm f/2, taken on Kodak T-Max P3200 film rated at 800 ASA.
Honfleur, outside the Alcyone caf’e. I saw this young lady standing bare foot holding her boots, so I took the shot. Now I know women like to paint their nails, but never someone standing in the street with cotton wool between her toes and then walk off like it. Even my wife raised her eyebrows!
Leica M4-2, Summicron-M 35mm f/2 ASPH, and taken on Kodak Tri-X film rated at 800 ISO. And in case anyone is wondering, yes I did manage to underexpose the image by a couple of stops!