Hi I'm Martin, a amateur photographer that likes to shoot street photography, landscapes, seascapes and odd image of dogs on digital as well as film. I now have a Leica M-P (Typ-240) & my late father's 1959 Leica M3 single stoke with Summicron 50mm duel range lens, Summicron 35mm, 50mm lenses and 90mm f/2.8 tele-elmarit. My blog was formerly known as 'The 35mm Shootist'
Great day for light yesterday. Very stormy with broken sunshine here in the UK, some places like London had localised flooding but for us not much rain to speak of. Walking around Mote Park, Maidstone I found unfortunately there was very few people visiting and so I had to find different subjects to shoot with my new Leica MP. Walking up from the boathouse in the background of the picture above I spotted the Canada Geese were standing in a row along the lake edge. Walking slowly around so not to disturb them I want to capture image with the storm clouds in the background but as I approached the birds to get closer with the Summicron 35mm many birds jumped in the water and paddled away leaving only half the amount of birds. In my mind I did wanted to get down to their level but with a lot of hissing I thought better of the idea …must carry my other lenses with me!
All went well with this shot even managing to use the built digital yellow filter. I’m half and half on using the built in digital filters, while the jury is still out on this idea seems to work well though. I would be interested to here other peoples thoughts and ideas on using this type of built in filter, maybe any pros or cons there are on using digital built in camera filters.
After a great morning shooting when I finally got home I noticed I’d still had forgotten to manually add the 35mm Summicron which is not a coded lens. May have to consider having my Leica lenses 6 bit coded. Final image is crop from the original as to the right of the picture was half a bird leaving the frame. Post processing was kept to a minimum as usual. Picture was shot in JPG, with a little dodge and burn mainly on the birds, plus the added frame by using Gimp 2.8.
Image taken on my Leica M-P (Typ-240) Summicron 35mm f/2 ASPH
As many of you know I don’t often shot colour C41 or even E6 films, which for the life of me I don’t honestly remember when I last shot slide film. Having taken some colour images in Honfleur, France and watching Youtube videos, like by the German photographer Robin Schimko who sometimes uses colour film for street photography, I’m coming around to the idea of shooting a little more colour in my photographic life.
Kodak Pro Image 100 film
So I thought next year on our next trip to Normandy I try and use only colour film, just carrying my Leica M3 and Summicron 50mm. There is a possibility I might have a Leica Elmarit 90mm f2.8 lens as well in my camera bag if I can find a good example. I have both the Summicron 35mm lens plus two 50mm Summicron’s and for a long time now have been thinking about getting a Leica 90mm lens. Don’t not think I’ll be buying a Summicron 90mm non APO or APO versions as although it’s extremely good lens, it is enormous! The Elmarit 90mm f2.8 is far smaller with a E39 filter thread as my other Leica lenses and having seen the specifications on the Summicron 90mm lens I think will be like shooting a rangefinder with a house brick attached to the front of the camera. This lens weights in at 17.1 oz or 484 grams compared to the Tele-Elmarit of 7.957 oz./225.6g
Onto the results of using Kodak Pro Image film, in a funny way to me this film look reminds me of the old Kodachrome in these pictures below. All pictures have been shot with no filters, shot with different light conditions and where exposed by using +1 stop with my Weston Euro Master lightmeter.
Click to enlarge images.
I used various C41 films over the years, I think mostly either AGFA Vista 200, Fujifilm Superia 200 or Kodak Color Plus 200 but like many I miss the good old days being able to purchase reasonably priced 100 ASA colour print films. There are of course a few options on the market, Kodak Professional Ektar 100 is a great film but the colours look a little rich for my taste, Kodak Portra 160 Film for a pack of five is twice the price of the Pro Image film pack. Another option would be to use a slide film like Kodak Professional Ektachrome E100 but the price at £15 or $19 a roll with the processing cost on top seems somewhat high and to me looks as it would be better used for high end portraits or landscape images as would any of the dwindling offerings from Fuji’s Fujichrome stable.
Recently I purchase a five pack of Kodak’s Pro Image 100 film and am pretty pleased with the results of this first test roll. I don’t do reviews but this film I found to give a very good render of all the colours I observed when shooting this film. The only issue I found was during scanning with my Nikon Coolscan V scanner was I did find the images appear with a blue cast and never noticed this with either Agfa Vista or Kodak’s Color Plus films. This was corrected easily with Gimp 2.8 and the only other step I had to undertake was a little straightening on some of the pictures.
All images taken on my Leica M3 with the Summicron 50mm f/2 on Kodak Pro Image 100 film in October of this year.