Folkestone

Thoroughly enjoyed being out shooting with the Leica M-P and the Summilux today. I had not been to Folkestone, England in some twenty five years and it has somewhat changed. Last time I been there it was a very run down seaside town, with little or no investment or jobs after the demise of the ferry service to France was closed down in 2000 and the Channel tunnel which had opened six years before. Today it’s a very different place to town I knew.

Although very harsh light all day, I made this work in my favour and managed to get some great street shots and this was after I’d realised I had left my Weston lightmeter at home, so leaving me with no choice but to use the Leica’s own built in meter. Think I’m starting to get the hang of the of the M-P now.

I even got some abuse from a young woman who told me I was breaking the law taking pictures of people in the street. I do love these individuals who like quoting laws that don’t exist in the UK!

Walking along this shore path made out of old railway sleepers located on Folkestone seafront I was looking at the light was shining off them. Just waiting for the right moment, this girl walked pasted me and managed to catch her in the 1.4 depth of field.

Coffee Folkes

Along the old harbour railway station this coffee vendor was parked between a gap under the old railway station canopy with sun lighting up his auto rickshaw. Little tricky getting the metering right but I got there in the end.

Art

Out of tune

Since last being in Folkestone, there’s a lot of art work around the town now. This one is by Norwegian artist A K Dolven called ‘Out of tune’

Quote from the Creative Folkestone website

“It features a 16th-century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart”

…must make a terrible noise on a stormy night!

Reading the news

There was two men on this bench but this larger gentleman appeared in the frame, sat down virtually pushing the other guy off the seat. Then started reading the other man’s newspaper.

Dots & spots

The above image is a crop from a landscape picture, annoyingly other people kept walking into the frame …hard life being a street photographer! This been a film negative I don’t think I would have got away with such a crop without losing detail.

The 50mm Summilux and digital imaging shines through again. If you can get your hands on an example if only for a day, I highly recommend you give it a try. It’s sharpness even wide open is unbelievable. The harbour shot below was taken wide open as was the other images in this post.

House boat

Folkestone harbour …don’t ask!


If your ever visiting the seaside town of Folkestone, I can highly recommend ‘Marleys’ café for a great cuppa at only £2.00!

Marleys

Also back down the same street there’s Nik & Trick Photo Services store. Well worth a visit, cameras, film and darkroom supplies. Link below.


All images taken with my Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens, using a B+W Neutral Density 2 Stop filter.

Final image at ‘Marleys’ taken with my Samsung A12 phone.

Nik & Trick Services Photographiques

The revealing tide

I took this picture of a father and sons collecting their crab pots from the receding tide. This was two days ago on a cloudy, very dull looking the morning giving a almost winter feel to this image but later on Sundays weather would turn out fine and bright day. Shot wide open at f/1.4 with the Summilux 50mm lens once the picture is enlarged, the detail in the middle of this image I’m really impressed with.

Click to enlarge picture

Cropped top and bottom, it almost to me gives the image a look of being taken with a wide angle lens but without the distortion. Here’s the original image below before post processing.

Minster on Sea, England. September 2021

Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens, using a B+W Neutral Density 2 Stop filter and digital yellow filter.

First shots

It’s been a few days and I am struggling a little to get the settings right with my new Leica M-P. Keep forgetting to press ‘set’ on the back of the camera and finding the images are not black and white, forgetting I can change the ISO mid shoot or I’ve not used the manual setting for my Summicron 35mm or my 90mm f/2.8 Tele-Elmarit lenses nether of which is a non 6 bit coded lenses.

Early days I suppose, other than my user errors I cannot fault the camera.

This one of the first pictures I shot Dahlia in our new garden. Taken using the Tele-Elmarit 90mm f/2.8 hand held, with Weston Euromaster lightmeter. I then find out having read in the instruction manual that this camera actually has a spot meter. Think I’ll still carry my Weston lightmeter regardless. You know how it is, your dying to use your new camera when really you should sit down and read the camera instruction manual first. Still all was not lost, my wife likes the image enough it’s now used as a wallpaper on our desktop PC.

When I can get the hang of this thing, it is really something! Think it’s going to make street photography easier, both to shot and post process. Above taken at Minster Leas, England using the Summicron-M 35mm f/2 ASPH.

One decision I have made is to solely shoot JPG files. As I’ve said before, I don’t alter images very much nor use digital manipulation so I cannot see any reason to use RAW files. Most of my work is going to be black and white anyway and reading reviews it’s suggested that JPG files a better for monochrome pictures particularly for street images.

Image taken at Minster Leas, England. July 2021 with the Summicron-M 35mm f/2 ASPH


Leica M3

Just after we moved into our new house my wife was given some flowers, pink and white lily’s to be exact. Having a moment to spare I used the M3 plus the Summicron duel range 50mm and this was the result of my efforts. Not bad considering the Fuji Color 200 was from my late father’s refrigerated film stock and was dated 03/2002.

Natural light and exposure taken with my Weston Euromaster lightmeter. Film development was done by AG Photographic lab.

I suppose I’d better think about changing my blogs name now seeing as I’m using digital as well as film.

Tails wagging

Honfleur, France – August 2020.

One of those days that was really far too hot to have dogs outside really as the temperature was up in the 90’s. Anyway this fellow had spotted my dog and along with the girl at the back of the group peering over at him made for a interesting street scene at one of the many Cafés in Honfleur.

Leica M4-2, Summicron 35mm f/2 ASPH and taken on Kodak Tri-X, rated at 800.

Retirement

Taken on another very warm day in Arromanches-les-Bains, France, 2020

Moments after I took the shot our dog Charlie barge in to make a fuss and luckily for me they where very accommodating to him but didn’t notice me taking pictures.

Leica M4-2, Summicron 35mm f/2 ASPH and taken on Kodak Tri-X, rated at 800

Fascination

This little fella is a rescue dog from eastern Europe and his previous life was to be tied up outside all day. Now living in the UK, with long walks everyday, everything is curious, fascinating or puzzling for this little dog. He stood staring at us for a good couple of minutes while we chatted to his new owner.

Leica M3, Summicron 50mm f/2 using my Weston Euro Master V meter and taken on Fujifilm C200 film.

Testing, testing.

As many of you know I don’t often shot colour C41 or even E6 films, which for the life of me I don’t honestly remember when I last shot slide film. Having taken some colour images in Honfleur, France and watching Youtube videos, like by the German photographer Robin Schimko who sometimes uses colour film for street photography, I’m coming around to the idea of shooting a little more colour in my photographic life.

Kodak Pro Image 100 film

So I thought next year on our next trip to Normandy I try and use only colour film, just carrying my Leica M3 and Summicron 50mm. There is a possibility I might have a Leica Elmarit 90mm f2.8 lens as well in my camera bag if I can find a good example. I have both the Summicron 35mm lens plus two 50mm Summicron’s and for a long time now have been thinking about getting a Leica 90mm lens. Don’t not think I’ll be buying a Summicron 90mm non APO or APO versions as although it’s extremely good lens, it is enormous! The Elmarit 90mm f2.8 is far smaller with a E39 filter thread as my other Leica lenses and having seen the specifications on the Summicron 90mm lens I think will be like shooting a rangefinder with a house brick attached to the front of the camera. This lens weights in at 17.1 oz or 484 grams compared to the Tele-Elmarit of 7.957 oz./225.6g

Ken Rockwell review of the Summicron 90mm lens https://www.kenrockwell.com/leica/90mm-f2-m.htm


Onto the results of using Kodak Pro Image film, in a funny way to me this film look reminds me of the old Kodachrome in these pictures below. All pictures have been shot with no filters, shot with different light conditions and where exposed by using +1 stop with my Weston Euro Master lightmeter.

Click to enlarge images.

I used various C41 films over the years, I think mostly either AGFA Vista 200, Fujifilm Superia 200 or Kodak Color Plus 200 but like many I miss the good old days being able to purchase reasonably priced 100 ASA colour print films. There are of course a few options on the market, Kodak Professional Ektar 100 is a great film but the colours look a little rich for my taste, Kodak Portra 160 Film for a pack of five is twice the price of the Pro Image film pack. Another option would be to use a slide film like Kodak Professional Ektachrome E100 but the price at £15 or $19 a roll with the processing cost on top seems somewhat high and to me looks as it would be better used for high end portraits or landscape images as would any of the dwindling offerings from Fuji’s Fujichrome stable. 

Recently I purchase a five pack of Kodak’s Pro Image 100 film and am pretty pleased with the results of this first test roll. I don’t do reviews but this film I found to give a very good render of all the colours I observed when shooting this film. The only issue I found was during scanning with my Nikon Coolscan V scanner was I did find the images appear with a blue cast and never noticed this with either Agfa Vista or Kodak’s Color Plus films. This was corrected easily with Gimp 2.8 and the only other step I had to undertake was a little straightening on some of the pictures.

One simple click of Gimp’s white balance control cured the blue cast.

All images taken on my Leica M3 with the Summicron 50mm f/2 on Kodak Pro Image 100 film in October of this year.

Development of this film was done by https://www.ag-photolab.co.uk/

Robin Schimko website: https://www.fotodesign-rs.de/

Spot of lunch

Lion sur Mer, Normandy France.

I am pleased with this shot, it was taken from the hip while walking past this couple eating their lunch along the seafront on what was a very hot day in August. This negative had to be cropped in Gimp 2.1 to straighten the composition but that was about all this picture needed to complete the final image.

Leica M4-2, Summicron 35mm f/2 ASPH and taken on Kodak Tri-X, rated at 800.

Look outside

Le cafe du Port, Honfleur France. I took this picture because of the gentlemen on the right, he kept glancing outside the window. Whether he was waiting for someone either that he seen something I don’t know but it made for a great street shot all the same.


Leica M4-2, Summicron 35mm f/2 ASPH and taken on Kodak Tri-X, rated at 800.

Innocents

Bar De Normandie, Vimoutiers France. The wife and I were having a drink at this café when I noticed I was being watched by this very cute little girl. Capturing a moment like this image makes photography such a wonderful pastime.


Leica M4-2, Summicron 35mm f/2 ASPH and taken on Kodak Tri-X, rated at 800.