I'm Martin, a amateur photographer from England that likes to shoot street photography, landscapes, seascapes and odd image of dogs on digital as well as film. I use a Leica M-P (Typ-240) as well as my late fathers 1959 Leica M3.
Last Friday I spent a day street shooting, while the wife was shopping in Canterbury, England. Standing on the junction of Burgate and Butchery Lane near the Cathedral, this elderly gentleman walked up, stopped, looked up Butchery Lane, I focused. Then he turned to look back down Burgate, just as I pressed the shutter. I was for a moment concerned he might be lost or a little confused but then a woman called to him.
Luckily for me I had focused the Summilux spot on with aperture wide open and later viewing the image on the computer, to my amazement the picture is pin sharp. Indeed I’ve had to do very little to the picture other than a bit of dodge and burn on the buildings behind plus add my copyright at the bottom.
This for me, this has got to be my best image of this year so far.
Click to enlarge
Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens, using a B+W Neutral Density 2 Stop filter.
I had not been to Folkestone, England in some twenty five years and it has somewhat changed. Last time I been there it was a very run down seaside town, with little or no investment or jobs after the demise of the ferry service to France was closed down in 2000 and the Channel tunnel which had opened six years before. Today it’s a very different place to town I knew.
Although very harsh light all day, I made this work in my favour and managed to get some great street shots and this was after I’d realised I had left my Weston lightmeter at home, so leaving me with no choice but to use the Leica’s own built in meter. Think I’m starting to get the hang of the of the M-P now.
I even got some abuse from a young woman who told me I was breaking the law taking pictures of people in the street. I do love these individuals who like quoting laws that don’t exist in the UK!
Walking along this shore path made out of old railway sleepers located on Folkestone seafront I was looking at the light was shining off them. Just waiting for the right moment, this girl walked pasted me and managed to catch her in the 1.4 depth of field.
Along the old harbour railway station this coffee vendor was parked between a gap under the old railway station canopy with sun lighting up his auto rickshaw. Little tricky getting the metering right but I got there in the end.
Since last being in Folkestone, there’s a lot of art work around the town now. This one is by Norwegian artist A K Dolven called ‘Out of tune’
Quote from the Creative Folkestone website
“It features a 16th-century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart”
…must make a terrible noise on a stormy night!
There was two men on this bench but this larger gentleman appeared in the frame, sat down virtually pushing the other guy off the seat. Then started reading the other man’s newspaper.
The above image is a crop from a landscape picture, annoyingly other people kept walking into the frame …hard life being a street photographer! This been a film negative I don’t think I would have got away with such a crop without losing detail.
The 50mm Summilux and digital imaging shines through again. If you can get your hands on an example if only for a day, I highly recommend you give it a try. It’s sharpness even wide open is unbelievable. The harbour shot below was taken wide open as was the other images in this post.
Folkestone harbour …don’t ask!
If your ever visiting the seaside town of Folkestone, I can highly recommend ‘Marleys’ café for a great cuppa at only £2.00!
Also back down the same street there’s Nik & Trick Photo Services store. Well worth a visit, cameras, film and darkroom supplies. Link below.
All images taken with my Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens, using a B+W Neutral Density 2 Stop filter.
Final image at ‘Marleys’ taken with my Samsung A12 phone.
I took this picture of a father and sons collecting their crab pots from the receding tide. This was two days ago on a cloudy, very dull looking the morning giving a almost winter feel to this image but later on Sundays weather would turn out fine and bright day. Shot wide open at f/1.4 with the Summilux 50mm lens once the picture is enlarged, the detail in the middle of this image I’m really impressed with.
Click to enlarge picture
Cropped top and bottom, it almost to me gives the image a look of being taken with a wide angle lens but without the distortion. Here’s the original image below before post processing.
Minster on Sea, England. September 2021
Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens, using a B+W Neutral Density 2 Stop filter and digital yellow filter.
I was lucky with this shot. I’d taken a few images of people sitting outside this public house in Faversham, England on market day and as the sun had made an appearance I couldn’t clearly see what I had captured. Later, having got home I found this one which I thought was ideal with the gentlemen’s mouth wide open to the right and the woman covering her eyes from the sunlight.
I shot the images with the Summilux wide open, ISO 200 using my Leica M-P (Typ 240) and using a B+W Neutral Density 2 x Stop filter.
I just love the way street subjects get distracted by my dog Charlie. In this shot he is down to my left side. Charlie has got to know me well that when I stop and hold funny black box to my face he knows he’s to stop. He’s very patient, he waits and sometimes wag’s his tail, which is very useful for distracting people. Perhaps it should be a tip for anyone starting out in street photography, take your dog with you!
Taken on my Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens and using a B+W Neutral Density 2 Stop filter.
This was the first shot taken using the Summilux 50mm f/1.4 ASPH on the Leica M-P of my dog Charlie on the beach. Shot wide open at an very bright afternoon yesterday, the ISO was set to 200 with a B+W 43mm Neutral Density 2 Stop filter attached, and the camera set to black and white plus digital yellow filter. I waited for Charlie to come back up the beach until he moved into the depth of field and this is the resulting image. Shot JPG I have done nothing to the picture other than uploading it here for you all to see.
Click to enlarge images
Today the my wife Helen and I spent a day at Broadstairs in Kent and wherever possible I shot this lens wide open. Having had lunch in this little fish and chip shop I roughly set the distance, leaving the f stop on 1.4 and the camera on Aperture priority (which I think is the first time I’d used AP on this camera) and the resulting picture I think is amazing considering the lens is wide open.
I can now appreciate why they say this lens is so good, it’s like using autofocus lens …you can’t miss!
While visiting Headcorn village yesterday, on the drive in my wife pointed out this young lady painting the front of this old grade two listed building. I believe it was an old Inn but now houses a couple of small businesses, one of which I think is a ladies hair salon. I managed to get an informal portrait of her on what was a very hot day for us all in the south of England. To be honest I’m surprised the paint wasn’t drying out before she could apply it with the brush!
Both images taken with Leica M-P (Typ-240) Summicron 50mm f/2.
I couldn’t resist taking this shot, the light this particular morning was beautiful.
I’m finding using the M-P built in meter a bit troublesome to use and I’m finding I am going back to using my handheld Weston Euromaster V light meter. Problem is having shot so long without a integral meter, I’m shooting without it and when I do disagreeing with it’s readings. The picture above I ended up taking by guessing the exposure as with the camera’s meter I could not get it right.
I do wonder how many others find the same issue and resort back to using an external lightmeter?
Leica M-P (Typ-240) Summicron 50mm f/2 plus digital yellow filter.
Funny how you take a shot and don’t notice a small element of the image until post processing. I was taking pictures of the grasses lit up by the morning sunlight using my new M-P and having shot a number of images I returned home.
click to enlarge image.
Even while finishing the image I still hadn’t noticed the spider until as always I view my finished pictures large on my 30 inch computer screen. Although the spider is very small, the detail of the web when seen large is just amazing to me and completes the picture in a subtle way. Think this image is going to used a large wall print for our new home.
For those of you struggling to see the creature and think Martin has lost his marbles, below in a close up of the image above.
Taken with my Leica M-P and Summicron 35mm f/2 ASPH
I’ve shot this sort of image before but this time the clouds where just right covering the whole of the sky giving very soft low light when sunlight wasn’t breaking through the cloud bank.
Picture was taken the following morning after Storm ‘Evert’
I just love the way our Met Office has for the past couple of years have to name these weather fronts we have from time to time here in the UK. Think they’ve got jealous of the United States and other parts of the world with the cyclone, hurricane and typhoon names.
Taken with my Summicron-M 50mm f/2, digital yellow filter preset and shot in Minster on Sea, England.
Colour saturation worries.
Finding my feet with my new Leica M-P, I have been a little concerned about colour images being too rich. I discover there two colour film presets built in to the camera. Not wanting to get too deep into digital manipulation of any kind the original JPG image below was taken without ‘smooth’ film setting. This might look ok to some but me looks wrong, missing detail and doesn’t represent what observed this morning when I shot this image.
On the one hand I wonder if this is cheating but on the other realise it a get way of toning down the colours which would be in my eyes over saturated. Shot with the film Smooth setting, I still had to bring down the levels within Gimp to get the picture below just right though.
Taken with the Summicron-M 35mm f/2 ASPH at Bartons Point Coastal Park.
Reading the Leica M-P operating manual while walking around and using this camera I feel like the German officer played by Gert Frobe in 1956 film ‘Those Magnificent Men in their Flying Machines‘
In the film having never flown a flying machine, he said “there is nothing a German officer cannot do” …later you see him reading the aircraft flying instructions while flying the aeroplane!