Gymnastic decorating

Gymnastic decorating

While visiting Headcorn village yesterday, on the drive in my wife pointed out this young lady painting the front of this old grade two listed building. I believe it was an old Inn but now houses a couple of small businesses, one of which I think is a ladies hair salon. I managed to get an informal portrait of her on what was a very hot day for us all in the south of England. To be honest I’m surprised the paint wasn’t drying out before she could apply it with the brush!

‘Painting by numbers’ – Headcorn, England.

Both images taken with Leica M-P (Typ-240) Summicron 50mm f/2.

September 2021.



Eastern Patterns

Sheerness, England – February 2021

Morning after Storm Darcy, aka ‘The Beast from East 2’ a cold front eastern Europe and Russia. I’m going start a new club called the ‘Frozen Leica Society’ because oh boy was I so cold my hands started to hurt in the -7°c wind chill …We English are not use to this sort of thing you know!

Anyway I shot this picture purely because of the pattern of the snow fall along the seawall. Later on, further along the front in the distance you can see the waters edge looks very white and as it turned out the sea was starting to freeze.

Leica M4-2, Summicron 35mm f/2 ASPH and taken on Fomapan 100 Classic film at an ISO of 800

Picnic in the Rain

Sheerness, England – January 2021

Last years Cygnets now matured having a paddle in rain at Bartons Point Coastal Park, which now is always empty except for the occasional dog walker and a fool walking around with his Leica.

Sadly, the Boat House Café is now another victim of the continued lockdown and I’d be surprised if it ever opens again. Shows how much it had rained, these birds swimming around what normally grass.

Leica M4-2, Summicron 35mm f/2 ASPH and taken on Fomapan 100 Classic film at an ISO of 800

Unshipping the wheels

Now I know what it means!

No seriously, ‘unshipping’ means to load, unload a ship or the sailors progressed rapidly with the task of unshipping the packages and caged animals. “Unshipping the wheels” meanings Larboard battery, unship your rear wheels from the cannons to raise the angle of fire.

Think in this case it’s not to get an angle of attack, more like to prevent theft of boat and trailer from the sailing club yard.

Taken last March, on my Leica M4-2, Summicron 35mm f/2 ASPH and taken on Ilford HP5 plus film.

Testing, testing.

As many of you know I don’t often shot colour C41 or even E6 films, which for the life of me I don’t honestly remember when I last shot slide film. Having taken some colour images in Honfleur, France and watching Youtube videos, like by the German photographer Robin Schimko who sometimes uses colour film for street photography, I’m coming around to the idea of shooting a little more colour in my photographic life.

Kodak Pro Image 100 film

So I thought next year on our next trip to Normandy I try and use only colour film, just carrying my Leica M3 and Summicron 50mm. There is a possibility I might have a Leica Elmarit 90mm f2.8 lens as well in my camera bag if I can find a good example. I have both the Summicron 35mm lens plus two 50mm Summicron’s and for a long time now have been thinking about getting a Leica 90mm lens. Don’t not think I’ll be buying a Summicron 90mm non APO or APO versions as although it’s extremely good lens, it is enormous! The Elmarit 90mm f2.8 is far smaller with a E39 filter thread as my other Leica lenses and having seen the specifications on the Summicron 90mm lens I think will be like shooting a rangefinder with a house brick attached to the front of the camera. This lens weights in at 17.1 oz or 484 grams compared to the Tele-Elmarit of 7.957 oz./225.6g

Ken Rockwell review of the Summicron 90mm lens https://www.kenrockwell.com/leica/90mm-f2-m.htm


Onto the results of using Kodak Pro Image film, in a funny way to me this film look reminds me of the old Kodachrome in these pictures below. All pictures have been shot with no filters, shot with different light conditions and where exposed by using +1 stop with my Weston Euro Master lightmeter.

Click to enlarge images.

I used various C41 films over the years, I think mostly either AGFA Vista 200, Fujifilm Superia 200 or Kodak Color Plus 200 but like many I miss the good old days being able to purchase reasonably priced 100 ASA colour print films. There are of course a few options on the market, Kodak Professional Ektar 100 is a great film but the colours look a little rich for my taste, Kodak Portra 160 Film for a pack of five is twice the price of the Pro Image film pack. Another option would be to use a slide film like Kodak Professional Ektachrome E100 but the price at £15 or $19 a roll with the processing cost on top seems somewhat high and to me looks as it would be better used for high end portraits or landscape images as would any of the dwindling offerings from Fuji’s Fujichrome stable. 

Recently I purchase a five pack of Kodak’s Pro Image 100 film and am pretty pleased with the results of this first test roll. I don’t do reviews but this film I found to give a very good render of all the colours I observed when shooting this film. The only issue I found was during scanning with my Nikon Coolscan V scanner was I did find the images appear with a blue cast and never noticed this with either Agfa Vista or Kodak’s Color Plus films. This was corrected easily with Gimp 2.8 and the only other step I had to undertake was a little straightening on some of the pictures.

One simple click of Gimp’s white balance control cured the blue cast.

All images taken on my Leica M3 with the Summicron 50mm f/2 on Kodak Pro Image 100 film in October of this year.

Development of this film was done by https://www.ag-photolab.co.uk/

Robin Schimko website: https://www.fotodesign-rs.de/