Canterbury, England. 2021
Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens.
Canterbury, England. 2021
Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens.
While visiting Headcorn village yesterday, on the drive in my wife pointed out this young lady painting the front of this old grade two listed building. I believe it was an old Inn but now houses a couple of small businesses, one of which I think is a ladies hair salon. I managed to get an informal portrait of her on what was a very hot day for us all in the south of England. To be honest I’m surprised the paint wasn’t drying out before she could apply it with the brush!
Both images taken with Leica M-P (Typ-240) Summicron 50mm f/2.
I came across this Peugeot J7 van converted into a camper among the many that are parked up at the seafront, Minster, England. Apart from the vehicles aged look, I liked the hanging lantern lights and stencilled monkey advertising on the side panel. Lady inside didn’t want her picture taken but did not seem to mind or notice her legs being on show which added to the picture.
Taken with my Leica M-P (Typ-240) Summicron 50mm f/2
Isle of Sheppey, England. August 2021
I couldn’t resist taking this shot, the light this particular morning was beautiful.
I’m finding using the M-P built in meter a bit troublesome to use and I’m finding I am going back to using my handheld Weston Euromaster V light meter. Problem is having shot so long without a integral meter, I’m shooting without it and when I do disagreeing with it’s readings. The picture above I ended up taking by guessing the exposure as with the camera’s meter I could not get it right.
I do wonder how many others find the same issue and resort back to using an external lightmeter?
Leica M-P (Typ-240) Summicron 50mm f/2 plus digital yellow filter.
I’ve shot this sort of image before but this time the clouds where just right covering the whole of the sky giving very soft low light when sunlight wasn’t breaking through the cloud bank.
Picture was taken the following morning after Storm ‘Evert’
I just love the way our Met Office has for the past couple of years have to name these weather fronts we have from time to time here in the UK. Think they’ve got jealous of the United States and other parts of the world with the cyclone, hurricane and typhoon names.
Taken with my Summicron-M 50mm f/2, digital yellow filter preset and shot in Minster on Sea, England.
Finding my feet with my new Leica M-P, I have been a little concerned about colour images being too rich. I discover there two colour film presets built in to the camera. Not wanting to get too deep into digital manipulation of any kind the original JPG image below was taken without ‘smooth’ film setting. This might look ok to some but me looks wrong, missing detail and doesn’t represent what observed this morning when I shot this image.
On the one hand I wonder if this is cheating but on the other realise it a get way of toning down the colours which would be in my eyes over saturated. Shot with the film Smooth setting, I still had to bring down the levels within Gimp to get the picture below just right though.
Taken with the Summicron-M 35mm f/2 ASPH at Bartons Point Coastal Park.
Reading the Leica M-P operating manual while walking around and using this camera I feel like the German officer played by Gert Frobe in 1956 film ‘Those Magnificent Men
in their Flying Machines‘
In the film having never flown a flying machine, he said “there is nothing a German officer cannot do” …later you see him reading the aircraft flying instructions while flying the aeroplane!
Image courtesy of forgottenfilmcast.wordpress.com
This little fella is a rescue dog from eastern Europe and his previous life was to be tied up outside all day. Now living in the UK, with long walks everyday, everything is curious, fascinating or puzzling for this little dog. He stood staring at us for a good couple of minutes while we chatted to his new owner.
Leica M3, Summicron 50mm f/2 using my Weston Euro Master V meter and taken on Fujifilm C200 film.
Greetings, on my post Testing, testing, I said…
“I’m coming around to the idea of shooting a little more colour in my photographic life”
Think my memory is getting a little short as I get older!
I shot colour negative film two years ago and this image below is from France.
I’d forgotten that I had taken this picture in the village of Saint-Céneri-le-Gérei, because it wasn’t a very interesting image to me at the time as a street photography image. Now with the all new 2021 lock down regulations in England, I’m unable to go anywhere other than an hours exercise or for work… shopping, that’s the wife’s department! So photography has gone out the window for the foreseeable and so I have been looking though previous negatives to see anything I’ve missed or discounted before. I found these colour negatives from our trip to Normandy in 2018.
This is the near the middle of Saint-Céneri-le-Gérei, Normandie France and it is said to be one of the most beautiful villages in France, small, not over commercialised with a couple small cafés this village well worth a visit. Located in the south of the Parc naturel régional et Géoparc Normandie-Maine and lies on the River Sarthe 13 km from Alençon.
Leica M4-2, Summicron 50mm f/2 using my Weston Euro Master V meter and taken on Fujifilm Superia 400 film.
Bayeux, France. August 2020
Don’t normally taken pictures of other peoples art work but this one was an exception with the kid crying behind the bars.
Leica M4-2, Summicron 50mm f/2 and taken on Kodak Tri-X, rated at 800.
As many of you know I don’t often shot colour C41 or even E6 films, which for the life of me I don’t honestly remember when I last shot slide film. Having taken some colour images in Honfleur, France and watching Youtube videos, like by the German photographer Robin Schimko who sometimes uses colour film for street photography, I’m coming around to the idea of shooting a little more colour in my photographic life.
Kodak Pro Image 100 film
So I thought next year on our next trip to Normandy I try and use only colour film, just carrying my Leica M3 and Summicron 50mm. There is a possibility I might have a Leica Elmarit 90mm f2.8 lens as well in my camera bag if I can find a good example. I have both the Summicron 35mm lens plus two 50mm Summicron’s and for a long time now have been thinking about getting a Leica 90mm lens. Don’t not think I’ll be buying a Summicron 90mm non APO or APO versions as although it’s extremely good lens, it is enormous! The Elmarit 90mm f2.8 is far smaller with a E39 filter thread as my other Leica lenses and having seen the specifications on the Summicron 90mm lens I think will be like shooting a rangefinder with a house brick attached to the front of the camera. This lens weights in at 17.1 oz or 484 grams compared to the Tele-Elmarit of 7.957 oz./225.6g
Ken Rockwell review of the Summicron 90mm lens https://www.kenrockwell.com/leica/90mm-f2-m.htm
Onto the results of using Kodak Pro Image film, in a funny way to me this film look reminds me of the old Kodachrome in these pictures below. All pictures have been shot with no filters, shot with different light conditions and where exposed by using +1 stop with my Weston Euro Master lightmeter.
Click to enlarge images.
I used various C41 films over the years, I think mostly either AGFA Vista 200, Fujifilm Superia 200 or Kodak Color Plus 200 but like many I miss the good old days being able to purchase reasonably priced 100 ASA colour print films. There are of course a few options on the market, Kodak Professional Ektar 100 is a great film but the colours look a little rich for my taste, Kodak Portra 160 Film for a pack of five is twice the price of the Pro Image film pack. Another option would be to use a slide film like Kodak Professional Ektachrome E100 but the price at £15 or $19 a roll with the processing cost on top seems somewhat high and to me looks as it would be better used for high end portraits or landscape images as would any of the dwindling offerings from Fuji’s Fujichrome stable.
Recently I purchase a five pack of Kodak’s Pro Image 100 film and am pretty pleased with the results of this first test roll. I don’t do reviews but this film I found to give a very good render of all the colours I observed when shooting this film. The only issue I found was during scanning with my Nikon Coolscan V scanner was I did find the images appear with a blue cast and never noticed this with either Agfa Vista or Kodak’s Color Plus films. This was corrected easily with Gimp 2.8 and the only other step I had to undertake was a little straightening on some of the pictures.
All images taken on my Leica M3 with the Summicron 50mm f/2 on Kodak Pro Image 100 film in October of this year.
Development of this film was done by https://www.ag-photolab.co.uk/
Robin Schimko website: https://www.fotodesign-rs.de/
I took this shot of Honfleur harbour purely for my own use as a desktop wallpaper for the computer, then decided to share with all of you because my wife and I love Honfleur, but not only that to show the harbour town houses which as you see are very tall.
In some case seven stories high townhouses, many of these buildings are very old dating anything from the 16th to 18th century and is a tourist hot spot in the summer. The streets and harbour front are lined with café and restaurants with other street hiding hidden gems like Saint-Catherine’s Church which dated from the 15th century.
If you are find yourself visiting Normandy, Honfleur is a must for a photographers for harbour views, scenes and street photography.
There’s even a very large ferris wheel which my Mrs just had to have a ride on and no you wouldn’t get me on it …I cannot stand heights!
All images taken with my Leica M3, Summicron 50mm f/2 and Summicron 35mm f/2 lenses on Agfa Vista 200 colour film.