A couple of years ago I dismissed digital photography as not being ‘real’ photography. My perception of digital was all wrong, believing that the digital photography was just computer manipulation and could never replace film was a very naive perspective on my part.
Now having used the M-P for a few weeks, I’m beginning understand where I was so wrong. Few years ago I owned a crop sensor Nikon D7000 and just didn’t get on with the camera or understand the controls let alone how use the it creatively. My images back then were to say the least, were terrible, so I sold the camera and returned to film photography. While I know manipulation in the digital can be done, I learned the format doesn’t have to be or need to use such techniques to get a pleasing image. To be perfectly honest this dim witted fool would have a clue or any idea of how to manipulate a digital image anyway.
It’s helped by the fact the Leica controls are, how should I say, to me are normal. Using the digital Leica like it’s film counterpart has helped a great deal and limiting my post processing to what I would otherwise use for negative post production. By sticking to just cropping, brightness and contrast editing plus some dodge and burn has not only won me over but made this very enjoyable experience. To only worry about composition, not be concerned what the camera is doing, which is probably where I went wrong the first time round with the Nikon.
I found these two young ladies in Canterbury and asked if they won’t mind a letting me take a street portrait of them. The jewellery and tattoos lent themselves to a black and white image.
Leica M-P (Typ 240) with the Summilux 50mm f/1.4 ASPH lens, taken in Canterbury, England. September 2021