Petit-Saint-Céneri

14th Century chapel at Saint-Céneri-le-Gérei, Normandie, France. 2022

Click to enlarge image.

This lovely old building has been photographed many times and I wanted to do something a little different. Looking down the hill to the Chapel building when I viewed this scene that day, there was a group of people standing around in front of the Chapel. Thankfully after a waiting for around for a half hour, eventually the group moved to around the back of the building leaving just the dog with the girl. One the other reasons I wanted to take this shot of this view of the Chapel was although the light was very hash, the sunlight catching the spring leaves on the trees was a wonderful sight.

Nikon F60, Tamron AF 28-80mm ASPH lens, Kodak Tri-X and a Hoya yellow filter.

Old Gate

Vimoutiers, France. 2022

Nikon F60, Tamron AF 28-80mm ASPH lens, Kodak Tri-X and a Tiffen yellow filter

Standing silhouettes

Isle of Sheppey, England. 2022

Nikon FE, Nikkor 35mm f/2.8 Ai on Ilford HP5+ with a yellow filter.

Deluge

Sheerness, England. 2022

Leica M6, Summicron 35mm f/2 ASPH taken on Fomapan 100 classic film with a B&W Yellow filter.

Flood light

Yes I know, corny title.

Weeks after I have taken this picture this area is two or three worse still and the grass where we walk our dog, the water comes up around your boots as the ground is so saturated. Anyhow, what with the on going lockdown restrictions, photography is becoming a little harder to do at present especially street photography. So my attention has turned to a little local landscape photography.

Taken last month at Bartons Point Coastal Park, Isle of Sheppey, England. I took this shot not only for the sunlight reflecting in the water but because the different puddles across the fields leading to the horizon.

Leica M4-2, Summicron 35mm f/2 ASPH and taken on Fomapan 400 film with a B&W yellow filter.

Memories

Loose Valley, Cave Hill Mill Pond, Maidstone. Father and his young children trying to feed the ducks last autumn. I was taken by the reflection and the light though the trees, made for a wonderful moment composed, the only fly in the ointment is the little girls hat which try as I might on a computer at lease I just could not get the detail to burn in. Might a different story in a darkroom!

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Taken on my Leica M4-2, Summicron 50mm f/2, with a yellow B&W filter and shot on Kodak Tri-X film rated at ISO 800.

Pathway

Mote Park, Maidstone, England. A very dull, wet winters morning.  The sunlight was silhouetting people, children and their dogs against the wet pathway. This shot I am amazed with as normally with a Summicron lenses you will get lens flare looking into the sun but this shot some how I avoided it.

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Leica M4-2, Summicron 35mm f/2 ASPH, with a yellow B&W filter and shot Ilford HP5 plus film at an ISO 800.

November’s Stream

I am really pleased with this picture. This is the view of the stream running though Loose Valley, Maidstone England. With most of the autumn leaves down now, the soft light over the rippling water and the reflections of the trees above, it made for a wonderful image that was just right for black and white film.

Taken on my Leica M4-2, Summicron 35mm f/2 ASPH, with a yellow B&W filter and shot on Kodak Tri-X film rated at ISO 800.

Late shadows

As many of you know my work, I very rarely shoot colour film. So when I said to my wife I’m going to shoot some autumn pictures last Sunday, a voice came from the other room ”you are going to use colour?” So frantically looking in my photography fridge upstairs, luckily for me there was one last roll of Agfa Vista 200 colour film left, dated October 2018… Phew.

This shot hasn’t really got much in the way of autumn colour but I liked the late afternoon light and shadows across the cemetery. Only in post processing on the computer did I notice the grave in the foreground, the foot stone is propped up with white bricks!

Late shadows

Taken at Sheppey Cemetery, England on my Leica M4-2, Summicron 35mm f/2 ASPH with Agfa Vista 200 film.

A Quite Spot

A quite spot for carp fishing on the lake fed by the River Len at Mote Park, Maidstone, England. I have been trying out some Ilford HP5 which I had rated at 800 ISO and although I’ve use this film in the past, I had never pushed this film in bright light before and so far I am very happy with the results and somewhat cheaper than Tri-X.

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Taken using my Leica M4-2, with a Summicron-M 35mm f/2 ASPH.